Russia Table of Contents
Literature first appeared among the East Slavs after the Christianization of Kievan Rus' in the tenth century (see The Golden Age of Kiev, ch. 1). Seminal events in that process were the development of the Cyrillic (see Glossary) alphabet around A.D. 863 and the development of Old Church Slavonic as a liturgical language for use by the Slavs. The availability of liturgical works in the vernacular language--an advantage not enjoyed in Western Europe--caused Russian literature to develop rapidly. Through the sixteenth century, most literary works had religious themes or were created by religious figures. Among the noteworthy works of the eleventh through fourteenth centuries are the Primary Chronicle , a compilation of historical and legendary events, the Lay of Igor's Campaign , a secular epic poem about battles against the Turkic Pechenegs, and Zadonshchina , an epic poem about the defeat of the Mongols in 1380. Works in secular genres such as the satirical tale began to appear in the sixteenth century, and Byzantine literary traditions began to fade as the Russian vernacular came into greater use and Western influences were felt.
Written in 1670, the Life of the Archpriest Avvakum is a pioneering realistic autobiography that avoids the flowery church style in favor of vernacular Russian. Several novellas and satires of the seventeenth century also used vernacular Russian freely. The first Russian poetic verse was written early in the seventeenth century.
The eighteenth century, particularly the reigns of Peter the Great and Catherine the Great (r. 1762-96), was a period of strong Western cultural influence. Russian literature was dominated briefly by European classicism before shifting to an equally imitative sentimentalism by 1780. Secular prose tales--many picaresque or satirical--grew in popularity with the middle and lower classes, as the nobility read mainly literature from Western Europe. Peter's secularization of the Russian Orthodox Church decisively broke the influence of religious themes on literature. The middle period of the eighteenth century (1725-62) was dominated by the stylistic and genre innovations of four writers: Antiokh Kantemir, Vasiliy Trediakovskiy, Mikhail Lomonosov, and Aleksandr Sumarokov. Their work was a further step in bringing Western literary concepts to Russia.
Under Catherine, the satirical journal was adopted from Britain, and Gavriil Derzhavin advanced the evolution of Russian poetry. Denis Fonvizin, Yakov Knyazhnin, Aleksandr Radishchev, and Nikolay Karamzin wrote controversial and innovative drama and prose works that brought Russian literature closer to its nineteenth-century role as an art form liberally furnished with social and political commentary (see Imperial Expansion and Maturation: Catherine II, ch. 1). The lush, sentimental language of Karamzin's tale Poor Lisa set off a forty-year polemic pitting advocates of innovation against those of "purity" in literary language.
Data as of July 1996